![]() ![]() Ours is a culture whose main expression of sinfulness is silliness. While the church has been pre-occupied with either counting sex scenes and cuss words in music and movies or attempting incessantly to be “relevant,” we have missed a more important influence of entertainment: it’s capacity to distract us. This book is about the possibility that Huxley, not Orwell, was right. Huxley feared that what we love will ruin us. In short, Orwell feared that what we hate will ruin us. In Brave New World, they are controlled by inflicting pleasure. In 1984, Huxley added, people are controlled by inflicting pain. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny “failed to take into account man’s almost infinite appetite for distractions”. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. Orwell feared we would become a captive culture. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared that the truth would be concealed from us. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared those who would deprive us of information. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. What Orwell feared were those who would ban books. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. But in Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity and history. Orwell warns that we will be overcome by an externally imposed oppression. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. ![]() Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.īut we had forgotten that alongside Orwell’s dark vision, there was another – slightly older, slightly less well known, equally chilling: Aldous Huxley’s Brave New World. When the year came and the prophecy didn’t, thoughtful Americans sang softly in praise of themselves. This comparison between the pessimistic visions of George Orwell and Aldous Huxley is worth quoting at length: In the introduction of his highly acclaimed and criticized book Amusing Ourselves to Death: Public Discourse in the Age of Show Business, Postman demonstrated that he had his finger on the pulse of our culture in a way most others did not. Neal Postman (1931–2003) was an educator and cultural critic who saw things more clearly than most. And it is my prayer that your love may abound more and more, with knowledge and all discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ.
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